• ABOUT
    • Manual
    • Contact
  • GROUPS
    • DVIZHENIE >
      • Dvizhenie Chronology
      • Dvizhenie Exhibitions
    • AZIMUTH >
      • Azimuth Exhibitions
      • Azimuth Chronology
    • EQUIPO 57 >
      • Equipo 57 Chronology
    • EXAT 51 >
      • EXAT 51 Chronology
      • EXAT 51 Exhibitions
      • ON EXAT 51 >
        • by Tihomir Milovac
    • G58 >
      • G58 Exhibitions
    • GORGONA >
      • Gorgona Chronology
      • What is (was) Gorgona
    • GRAV >
      • GRAV
    • GRUPPO N
    • GRUPPO T >
      • Gruppo T Chronology
      • Gruppo T Exhibitions
      • Gruppo T by Grazia Varisco
    • GUTAI >
      • What is Gutai
      • The Gutai Manifesto
      • Gutai Chronology
      • ON GUTAI >
        • Gutai by Bruno Cora
        • Gutai by Henk Peeters
        • Gutai by Helen Westgeest
        • Gutai by Atsuo Yamamoto
      • EXHIBITIONS >
        • Gutai Retrospective Exhibitions
        • Gutai Exhibitions Views
      • ARTIST WRITINGS >
        • Gutai by Jiro Yoshihara
    • NEW VISION GROUP >
      • NVC Chronology
    • NIG >
      • NIG Chronology
      • NIG Exhibitions
    • NUL >
      • Nul Diagramm
      • ON NUL >
        • Nul by Tijs Visser
        • Nul by Antoon Melissen
        • Nul by Colin Huizing
      • INTERVIEWS >
        • Henk Peeters
        • Jan Schoonhoven
        • Herman de Vries
        • Armando
        • Jan Henderikse
      • EXHIBITIONS >
        • Nul Exhibitions
        • Retrospective Exhibitions
    • PUNTO >
      • Punto Chronology
    • ZERO >
      • HISTORY >
        • Zero Group
        • Heinz Mack
        • Otto Piene
      • ON ZERO >
        • ZERO by Daniel Birnbaum
        • ZERO by Norman Rosenthal
        • ZERO by Jane Clark
      • STATEMENTS >
        • Heinz Mack
        • Otto Piene
        • Günther Uecker
      • INTERVIEWS >
        • Daniel Birnbaum
        • Tijs Visser
      • PUBLICATIONEN >
        • Books
        • Videos
      • EXHIBITIONS >
        • ZERO Exhibitions
        • Retrospective Exhibitions
    • ZERO / OREZ >
      • OREZ Chronology
  • TIMELINE
    • World Events
    • Artist Groups
  • IMAGES
    • Conditions
    • Archive >
      • Step 1
      • Step 2
    • ARTISTS >
      • Yayoi Kusama >
        • Harrie Verstappen
        • Marianne Dommisse
        • Herbert Behrens
    • PHOTOGRAPHERS >
      • André Morain
      • Herbert Behrens
      • Pieter Boersma
      • Marianne Dommisse
      • Harry Verstappen
  • Vimeo
ARCHIVE
This web-archive is developed by the 0-INSTITUTE to promote research and disseminate knowledge about the artist networks from the sixties. The web-archive responds to a growing need for art world professionals and academic researchers to work with artists in building information resources to aid future exhibition and re-activation of works and exhibitions. The web-archive contains exhibition photos, correspondence with artist, curators, producers, artist-statements and writings, interviews, and exhibition lists from various international art groups. The material has been "excavated" by international experts and includes documents from artist archives and  institutes from all over the world, and material found deep hidden in the world-wide-web. On our Vimeo platform, we collect historical art-films and recent documentaries. The archive is permanent under construction, as new information will be added regularly, with the focus equally on the content of these resources and the software technology used to house the information.
The 0-INSTITUTE  is an international research and exhibition institute with a  focus on art and artists from the international ZERO movement and does field research in archives, artist studio's, public and private collections. The 0-INSTITUTE  has expertise in historical artists, works, exhibitions, writers, curators and has an international network of prominent writers, researchers, and producers. The institute is specialised  in reconstructing ideas, installations, and works, but also historical exhibitions. With a small collection the 0-INSTITUTE  has the "archeology's" ability to tell  stories  that reach beyond official or formal discourse.


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